MusicforBreathwork Music for Breathwork

Glossary

Key terms used throughout the courses, explained. These definitions also appear as hover tooltips the first time a term shows up in a lesson.

A

Activating intensity
The energizing, stimulating quality of music, typically characterized by driving rhythms, faster tempos, and dynamic movement; music that propels the breathwork forward and supports physical and emotional release, most prominent during the building and peak phases.
Affective Intensity
The emotional power and depth of music; its capacity to evoke strong feelings, memories, or psychological states regardless of volume or tempo. Music with high affective intensity can be quiet yet profoundly moving, or loud and cathartic.
Ambient soundscapes
Atmospheric, textural music without strong rhythm or melody.
Arc
The overall trajectory of the breathwork session, moving through distinct phases from activation to integration.

C

Creative process
The artistic, exploratory approach to assembling a music set.
Crescendo
A gradual increase in volume and/or intensity.
Curation
The thoughtful, intentional process of selecting and ordering music for the session.

D

Decibel (dB)
The unit of measurement for sound volume/loudness; in Holotropic Breathwork, music typically ranges from soft ambient levels (60-70 dB) during opening and closing phases to louder levels (80-90 dB) during peak phases, though specific levels vary based on room acoustics and facilitator preference.
Driving rhythm
A strong, propulsive beat that energizes and activates the breathwork.
Drone
Sustained tones or harmonies that create a meditative foundation.
Duration
The total length of the music set, typically 2-3 hours for a full session.
Dynamics
The variations in loudness, softness, and intensity throughout a piece.

E

Emotional range
The spectrum of feelings a piece of music can evoke.
Evocative music
Music that powerfully elicits emotions, memories, or states of consciousness.

F

Facilitator's journey
The personal, creative process the facilitator undergoes while creating the music set.
Fade in / fade out
Gradual increases or decreases in volume at the beginning or end of tracks.
Flow
The seamless progression of music that maintains continuity throughout the session.

H

Holotropic
Moving toward wholeness; describes both the breathwork method and the facilitator's intuitive process of music selection.

I

Instrumental
Music without vocals, relying on instruments alone.
Intensity
The overall power, energy, or emotional force of the music.
Intuitive selection
Choosing music based on inner guidance and felt sense rather than purely intellectual criteria.

M

Music library
The facilitator's collection of available music for breathwork sessions.
Musical container
The supportive structure created by the music that holds the breathwork experience.

N

Non-directive music
Music that provides support without imposing a specific narrative or experience on the breather.

P

Percussion
Drum-based or rhythmic elements that provide grounding and drive.
Playlist
The ordered list of musical tracks comprising the set.
Playlist management
The organizational approach to maintaining and updating music sets.

R

Repetitive patterns
Recurring musical phrases that support trance-like states.
Rhythm
The pattern of beats and timing that drives the music forward.

S

Selection process
The facilitator's method of choosing music, often involving intuitive and holotropic approaches.
Set
The complete, pre-selected sequence of music for a breathwork session, typically 2-3 hours in duration.
Set list
A written document listing the order and details of tracks in the music set.
Sonic landscape
The auditory environment created by the music through which breathers navigate their inner journey.
Spaciousness
The level of complexity in the music. Pieces that have many layers that are tightly concentrated have a very low spaciousness score, while tracks that are more minimal and have a reduced danceability score tend to be more spacious.
Streaming service
Digital platforms (Spotify, Apple Music, etc.) used to access and organize music.

T

Tempo
The speed or pace of the music, measured in beats per minute.
Three phases / Three hours
The essential structural framework: opening/building, peak/breakthrough, and integration/return. At various times we will refer to music as belonging to the first, second or third hour. This terminology stands regardless of the length of the music set you are creating — whether it be 20 minutes, 1 hour, 3 hours or beyond.
Timing
The strategic placement and length of musical pieces within the arc.
Transitions
The shifts between musical pieces or phases, ideally smooth and intentional.

V

Vocals
Sung elements, including chanting, singing, or voice as instrument.
Volume
The loudness level of the music, adjusted to support but not overwhelm.